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Runner 1922 rug
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Runner 1922 rug

Runner 1922 rug

Designed by Gunta Stölzl the Runner 1922 rug is part of Christopher Farr Editions, a collection of collaborative rugs from some of the world’s most interesting and iconic artists and designers, both past and present.///Description
As the only female master of the Bauhaus, textile artist Gunta Stölzl is arguably the single most influential figure in the modern history of Western woven art. Under her leadership, the school's weaving workshop was transformed from a neglected department to one of its most successful facilities. During her tenure, she updated the focus from pictorial work to more industrial designs, introducing radical ideas from the world of modern art to weaving, and initiated experiments in materials and methods that helped shift weaving into the modern age.

$1,709.95
Runner 1922 rug
$1,709.95

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Runner 1922 rug - Image 2
Runner 1922 rug - Image 3

Runner 1922 rug

Designed by Gunta Stölzl the Runner 1922 rug is part of Christopher Farr Editions, a collection of collaborative rugs from some of the world’s most interesting and iconic artists and designers, both past and present.///Description
As the only female master of the Bauhaus, textile artist Gunta Stölzl is arguably the single most influential figure in the modern history of Western woven art. Under her leadership, the school's weaving workshop was transformed from a neglected department to one of its most successful facilities. During her tenure, she updated the focus from pictorial work to more industrial designs, introducing radical ideas from the world of modern art to weaving, and initiated experiments in materials and methods that helped shift weaving into the modern age.

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Description

Designed by Gunta Stölzl the Runner 1922 rug is part of Christopher Farr Editions, a collection of collaborative rugs from some of the world’s most interesting and iconic artists and designers, both past and present.///Description
As the only female master of the Bauhaus, textile artist Gunta Stölzl is arguably the single most influential figure in the modern history of Western woven art. Under her leadership, the school's weaving workshop was transformed from a neglected department to one of its most successful facilities. During her tenure, she updated the focus from pictorial work to more industrial designs, introducing radical ideas from the world of modern art to weaving, and initiated experiments in materials and methods that helped shift weaving into the modern age.

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